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Photographer
My first camera was found in a grey bag in the street,
in Florida street, London, in 2019
I teach how to use camera's manual modes
and take high-quality photographs
I conduct photography workshops. Photography becomes an opportunity to tell oneself, a self-observation process
I am in the process to crowdfund my first self - publishing
editorial project - the book of love, sex and relationships
La Pecora Edizioni
I co-funded with Francesca Sand and Sarab collective
la Pecora edizioni, an independent editorial label born in 2021
Open edition Digital black and white Fine Art print
Today I am printing some of my photographs at Montetullio Lab.
In June, on the 9th, 10th, 11th, I will have a photography exhibition within the photographic circle 'Il Castello', FIAF of Taranto titled “La macchina fotografica come uno specchio. Conversazioni intime con l’altro, il mondo e se stessi”, and I am printing some of my photographs.
Analogue photograph taken on Ilford 120mm black and white film with Mamiya II 6x7, digitally printed on Canson Barita Prestige paper 340 g/m2
Gloss finish paper enhances deep blacks and pure whites and delivers exceptional image quality.
Dimensions: 21 x 29.7 cm
Open edition fine art photographic print, signed
In June, on the 9th, 10th, 11th, I will have a photography exhibition within the photographic circle 'Il Castello', FIAF of Taranto titled “La macchina fotografica come uno specchio. Conversazioni intime con l’altro, il mondo e se stessi”, and I am printing some of my photographs.
Analogue photograph taken on Ilford 120mm black and white film with Mamiya II 6x7, digitally printed on Canson Barita Prestige paper 340 g/m2
Gloss finish paper enhances deep blacks and pure whites and delivers exceptional image quality.
Dimensions: 21 x 29.7 cm
Open edition fine art photographic print, signed
Interview (Italian language), "La Fotografia documentaria come dialogo per superare il trauma' on Aly's Visual Arts.
F.I.G.A, Foundation for international Girls in Arts.
"love, sex and relationship" is a multidisciplinary project that includes photographs and videos collected by Loredana Denicola (Italian social, documentary and multidisciplinary photographer currently based in London).
The project, developed with over 40 hours of interviews and anticipated in 2019 by a video trailer, includes a collection of conversations between herself and others developed through a particular project of video documentation, photography and writing.
love, sex and relationship, which also includes an as yet unpublished book, was created with the aim of starting a dialogue with oneself and understanding how emotional and psychological abuse, just like physical and sexual abuse, can be destructive for a person.
The interview with Loredana Denicola starts from the project, to get to talking about herself, her past, her emotions, photography and dialogue as therapy, her fears and how to deal with psychological abuse. The project is complex, but enlightening.
Interviewer: Selene Grandi
Instagram: @lunazelly
Read the interview on: LINK - https://www.alysvisualart.com/whats-on/loredana-denicola/
The project, developed with over 40 hours of interviews and anticipated in 2019 by a video trailer, includes a collection of conversations between herself and others developed through a particular project of video documentation, photography and writing.
love, sex and relationship, which also includes an as yet unpublished book, was created with the aim of starting a dialogue with oneself and understanding how emotional and psychological abuse, just like physical and sexual abuse, can be destructive for a person.
The interview with Loredana Denicola starts from the project, to get to talking about herself, her past, her emotions, photography and dialogue as therapy, her fears and how to deal with psychological abuse. The project is complex, but enlightening.
Interviewer: Selene Grandi
Instagram: @lunazelly
Read the interview on: LINK - https://www.alysvisualart.com/whats-on/loredana-denicola/
New photography work, intersection of photography and drawing with pen.
The black and white Fine Art print is an experiment that brings together photography and drawing.
The project is made with the artistic collaboration of Samantha Zenou ...
The project is made with the artistic collaboration of Samantha Zenou ...
The cover of the book of "love sex and relationships" by Loredana Denicola
After six years, the video photography project of "love, sex and relationships" has become a book.
The project was born in London, before Brexit and Covid-19.
Twenty – five people took part, couples and individuals met online or in the streets of London.
The book poses a complex question - what does it mean 'to love'? And explores different relationships: from heterosexual relationships to homosexual, single mothers, divorced or separated couples ....
Addiction to love can cause emotional problems such as anxiety, violence, jealousy, pain and confusion.
Photography, writing and video documentation, in the book-project, become therapeutic, a journey of self-observation, discovery and awareness.
I strongly believe that the work can encourage anyone on their journey to feel more aware, to build more self-esteem and self-respect and that my personal experience can empower women.
The book of "love, sex and relationships" is also a collective social work of art.
All the people who took part in the project-book brought into play creativity, self-expression, lived experience, sharing their personal knowledge.
The collective work is presented to the community-world in the form of dialogue and I hope it can make people reflect.
The book is also a work of art (limited edition) and a self-published editorial project that will be realised through a public funding campaign that will be online soon.
Meanwhile I set up a contact form on my website for anyone interested in receiving future updates on the book and campaign.
By clicking on the link - https://www.loredanadenicola.com/ you will be directed to my website, where you can enter your name and email contact in LSR book form.
Furthermore, to find out more about the book-project and support my work, I invite you to follow me on Socials.
Soon I will start talking about it and I will certainly need some likes and comments :-):
Here my socials:
The project was born in London, before Brexit and Covid-19.
Twenty – five people took part, couples and individuals met online or in the streets of London.
The book poses a complex question - what does it mean 'to love'? And explores different relationships: from heterosexual relationships to homosexual, single mothers, divorced or separated couples ....
Addiction to love can cause emotional problems such as anxiety, violence, jealousy, pain and confusion.
Photography, writing and video documentation, in the book-project, become therapeutic, a journey of self-observation, discovery and awareness.
I strongly believe that the work can encourage anyone on their journey to feel more aware, to build more self-esteem and self-respect and that my personal experience can empower women.
The book of "love, sex and relationships" is also a collective social work of art.
All the people who took part in the project-book brought into play creativity, self-expression, lived experience, sharing their personal knowledge.
The collective work is presented to the community-world in the form of dialogue and I hope it can make people reflect.
The book is also a work of art (limited edition) and a self-published editorial project that will be realised through a public funding campaign that will be online soon.
Meanwhile I set up a contact form on my website for anyone interested in receiving future updates on the book and campaign.
By clicking on the link - https://www.loredanadenicola.com/ you will be directed to my website, where you can enter your name and email contact in LSR book form.
Furthermore, to find out more about the book-project and support my work, I invite you to follow me on Socials.
Soon I will start talking about it and I will certainly need some likes and comments :-):
Here my socials:
One of the pages of La Pecora edizioni first publication
La Pecora edizioni wants to be a dynamic and experimental laboratory aimed at the production and promotion of photographic books and fanzines but also art, anthropology and every language through which the human condition is told.
On the link below you can browse the beautiful DONYA, our first publication:
https://issuu.com/loredanadenicola/docs/_donya_pubblicazione
To support the project please go to our first crowdfunding campaign on Ulule: https://it.ulule.com/donya-2/ where you can get amazing rewards.
Follow us on:
Instagram:@lapecoraedizioni
Facebook: La Pecora Edizioni
Thank you.
On the link below you can browse the beautiful DONYA, our first publication:
https://issuu.com/loredanadenicola/docs/_donya_pubblicazione
To support the project please go to our first crowdfunding campaign on Ulule: https://it.ulule.com/donya-2/ where you can get amazing rewards.
Follow us on:
Instagram:@lapecoraedizioni
Facebook: La Pecora Edizioni
Thank you.
Donya, the first "La Pecora Edizioni" artistic publication
DONYA was born as a visual and narrative experiment.
We've put together different photographic styles of different projects asking ourselves a question: what happens if different authors graft their existing projects by pursuing almost exclusively an emotional and imaginative flow?
Five different visual worlds meet giving life to a story, an intimate and personal journey in which each of us can recognise ourselves, called indeed DONYA.
Please support the project-art pubblication.
We are on Ulule with fantastic rewards: https://it.ulule.com/donya-2/
DONYA is a limited edition of 100 copies
Format 17x24 cm
Pages 72 + cover
Inside: Arena Natural Rough paper gr. 120
Cover: Arena Natural Rough paper gr. 300
Preparation: Glue milled paperback
Donya's graphic design is curated by Gianluca Ceccarini and Nahid Rezashateri (Sarab Collective).
The publication, if the goal is achieved, will be produced by O.GRA.RO Rome - https://ograro.com/
La Pecora edizioni is an independent label born in 2021 thanks to the collaboration of Loredana Denicola and Francesca Sand of the Action Hybride collective and Terra Rossa Lab with Nahid Rezashateri and Gianluca Ceccarini of the Sarab collective.
Look inside clicking on the link below:
We've put together different photographic styles of different projects asking ourselves a question: what happens if different authors graft their existing projects by pursuing almost exclusively an emotional and imaginative flow?
Five different visual worlds meet giving life to a story, an intimate and personal journey in which each of us can recognise ourselves, called indeed DONYA.
Please support the project-art pubblication.
We are on Ulule with fantastic rewards: https://it.ulule.com/donya-2/
DONYA is a limited edition of 100 copies
Format 17x24 cm
Pages 72 + cover
Inside: Arena Natural Rough paper gr. 120
Cover: Arena Natural Rough paper gr. 300
Preparation: Glue milled paperback
Donya's graphic design is curated by Gianluca Ceccarini and Nahid Rezashateri (Sarab Collective).
The publication, if the goal is achieved, will be produced by O.GRA.RO Rome - https://ograro.com/
La Pecora edizioni is an independent label born in 2021 thanks to the collaboration of Loredana Denicola and Francesca Sand of the Action Hybride collective and Terra Rossa Lab with Nahid Rezashateri and Gianluca Ceccarini of the Sarab collective.
Look inside clicking on the link below:
Video presentation: what is Donya?
Today I'll tell you how the name of Pecora edizioni and Donya's project was born.
If you browse Donya's story on this link - https://issuu.com/loredanadeni.../docs/_donya_pubbificazione you will find at a certain point, the photo of a carcass - "la pecora" indeed.
Loredana found her, stranded on the beach of Cagliari. The photo was taken with a mobile phone. That image struck us and from there the name arose - La Pecora edizioni.
Sheeps are humble and kind animals. They are vulnerable.
They are useful by giving humans food and wool. Sheeps live in groups.
They are never alone. They embrace the union. They live in the community. The sheep spirit animal wants us to be united. We should enjoy the power of friendship. Help and encourage each other.
We should be there for each other. This attitude will help us make the earth a better place to live. Great things happen when we get together.
Donya is the first story of La Pecora Edizioni.
The name was chosen by Nahid.
Donya is a term in Farsi, the language of Persia, used as a woman's name but which can also be translated as "world".
La Pecora edizioni
Loredana, Francesca, Gianluca, Nahid
The video is realised by Sarab Collective
To support Donya please go to: @Ulule
If you browse Donya's story on this link - https://issuu.com/loredanadeni.../docs/_donya_pubbificazione you will find at a certain point, the photo of a carcass - "la pecora" indeed.
Loredana found her, stranded on the beach of Cagliari. The photo was taken with a mobile phone. That image struck us and from there the name arose - La Pecora edizioni.
Sheeps are humble and kind animals. They are vulnerable.
They are useful by giving humans food and wool. Sheeps live in groups.
They are never alone. They embrace the union. They live in the community. The sheep spirit animal wants us to be united. We should enjoy the power of friendship. Help and encourage each other.
We should be there for each other. This attitude will help us make the earth a better place to live. Great things happen when we get together.
Donya is the first story of La Pecora Edizioni.
The name was chosen by Nahid.
Donya is a term in Farsi, the language of Persia, used as a woman's name but which can also be translated as "world".
La Pecora edizioni
Loredana, Francesca, Gianluca, Nahid
The video is realised by Sarab Collective
To support Donya please go to: @Ulule
F.R.A.C.T.U.R.E.S.
Art Exhibition organised by Terra Rossa Lab.
Atelier des Artistes de Belleville, Paris
Expo + Lab + Performances + Projections
F.R.A.C.T.U.R.E.S.
02.12.2021 – 17.12.2021
Vernissage le vendredi 03 décembre à partir de 18h
F.R.A.C.T.U.R.E.S.
Mot significativement poly-sémantique, selon le contexte auquel il se réfère. Pour la médecine, c’est “une perturbation de l’intégrité d’un os”.
En géologie, cela indique la terre qui se fend, s’effrite, bouge. La ramenant dans un contexte plus strictement humaniste, la fracture est configurée comme distance et isolement, blessure et traumatisme. Dans tous les cas, elle est induite par un événement extérieur qui mine l’équilibre d’un organisme. L’événement externe peut être de nature accidentelle ou déterminé par des événements historiques et sociaux tels que la guerre, les grands mouvements migratoires ou par des facteurs géopolitiques qui influencent le sort de communautés entières.
La fracture, disait-on, est une blessure, un signe tangible qui affecte l’être humain et devient une cicatrice, elle s’insinue dans la mémoire des peuples et de l’individu et génère un traumatisme.
L’intérêt de Terra Rossa Lab vise, tout d’abord à documenter les traces de la fracture, à accueillir sa voix, sa fragilité, à caresser ses fissures. S’ensuit alors une opération de nature presque thérapeutique par laquelle donner forme à la plaie, sans la dissimuler, mais la transfigurer pour qu’elle guérisse, peut se transformer en témoignage, acte cathartique et pourquoi pas, enseignement.
F.R.A.C.T.U.R.E.S.
02.12.2021 – 17.12.2021
Galerie: Ateliers d’artistes de Belleville,
1 rue Francis Picabia, 75020 Paris
Horaires d’ouverture: du jeudi au dimanche entre 14h et 20h
PROGRAMMATION :
Jeudi 02 décembre 2021
Ouverture
Vendredi 03 décembre 2021
18h - Vernissage - Performances :
20h - "Heart Constellation": Julie Hahn et Julien-Paul Remy, Heart Constellation (duo, 10 minutes)
https://www.instagram.com/baejjahn.dancecompany/
21h - "Fashonista": Elisabette Zelaya (20minutes)
https://www.artmajeur.com/elisabette-zelaya
Samedi 04 décembre 2021
17h - Lab de recherche et de création collective “The Last Border- Dialogues sur la Méditerranée” avec invités
20h - "Fractures et intervalles " Soirée apéro lecture textes et poésie; pour s'inscrire :
terrarossalabart@gmail.com
Mercredi 08 décembre 2021
14h - "How to fill a conversation gap": atelier de lecture en arpentage, Carolina Zaccaro; pour s'inscrire :
terrarossalabart@gmail.com
https://www.carolinazaccaro.com
Jeudi 09 décembre 2021
9h-20h- Concert Wamid Al-Wahab et Reese Desormais:
“Edgar Waryz (Improvisations)”
Expression de basses parfois trafiquées mais souvent transcendées par le daf et la machine.
Vendredi 10 décembre 2021
18h - "Calice" performance vocale Fabrizia Barresi, voyage musical et vocal (durée 45m)
http://www.fabriziabarresi.com
Samedi 11 décembre 2021
17h - Conférences (à définir)
suivi par : "Santé mentale", performance, Hope Mocked
https://www.artmajeur.com/amal6mokded
Dimanche 12 décembre 2021
16h30 - "A l’ouest", film, Violaine Lefur, Projection et discussion ouverte
https://www.instagram.com/lefurviolaine/?hl=fr
17h30 - "The théâtre of mind", film, Loredana Denicola
https://www.loredanadenicola.com
Vendredi 17 décembre 2021
Finissage à partir de 18h
Performances :
18h30: performance libre: Nen poésie urbaine et slam + Valeria Stasi danse improvisation
https://www.youtube.com/channel/UCTL-7785Zx_xWb96_jmB__Q/featured
Le dossier de presse de l'exposition:
F.R.A.C.T.U.R.E.S.
02.12.2021 – 17.12.2021
Vernissage le vendredi 03 décembre à partir de 18h
F.R.A.C.T.U.R.E.S.
Mot significativement poly-sémantique, selon le contexte auquel il se réfère. Pour la médecine, c’est “une perturbation de l’intégrité d’un os”.
En géologie, cela indique la terre qui se fend, s’effrite, bouge. La ramenant dans un contexte plus strictement humaniste, la fracture est configurée comme distance et isolement, blessure et traumatisme. Dans tous les cas, elle est induite par un événement extérieur qui mine l’équilibre d’un organisme. L’événement externe peut être de nature accidentelle ou déterminé par des événements historiques et sociaux tels que la guerre, les grands mouvements migratoires ou par des facteurs géopolitiques qui influencent le sort de communautés entières.
La fracture, disait-on, est une blessure, un signe tangible qui affecte l’être humain et devient une cicatrice, elle s’insinue dans la mémoire des peuples et de l’individu et génère un traumatisme.
L’intérêt de Terra Rossa Lab vise, tout d’abord à documenter les traces de la fracture, à accueillir sa voix, sa fragilité, à caresser ses fissures. S’ensuit alors une opération de nature presque thérapeutique par laquelle donner forme à la plaie, sans la dissimuler, mais la transfigurer pour qu’elle guérisse, peut se transformer en témoignage, acte cathartique et pourquoi pas, enseignement.
F.R.A.C.T.U.R.E.S.
02.12.2021 – 17.12.2021
Galerie: Ateliers d’artistes de Belleville,
1 rue Francis Picabia, 75020 Paris
Horaires d’ouverture: du jeudi au dimanche entre 14h et 20h
PROGRAMMATION :
Jeudi 02 décembre 2021
Ouverture
Vendredi 03 décembre 2021
18h - Vernissage - Performances :
20h - "Heart Constellation": Julie Hahn et Julien-Paul Remy, Heart Constellation (duo, 10 minutes)
https://www.instagram.com/baejjahn.dancecompany/
21h - "Fashonista": Elisabette Zelaya (20minutes)
https://www.artmajeur.com/elisabette-zelaya
Samedi 04 décembre 2021
17h - Lab de recherche et de création collective “The Last Border- Dialogues sur la Méditerranée” avec invités
20h - "Fractures et intervalles " Soirée apéro lecture textes et poésie; pour s'inscrire :
terrarossalabart@gmail.com
Mercredi 08 décembre 2021
14h - "How to fill a conversation gap": atelier de lecture en arpentage, Carolina Zaccaro; pour s'inscrire :
terrarossalabart@gmail.com
https://www.carolinazaccaro.com
Jeudi 09 décembre 2021
9h-20h- Concert Wamid Al-Wahab et Reese Desormais:
“Edgar Waryz (Improvisations)”
Expression de basses parfois trafiquées mais souvent transcendées par le daf et la machine.
Vendredi 10 décembre 2021
18h - "Calice" performance vocale Fabrizia Barresi, voyage musical et vocal (durée 45m)
http://www.fabriziabarresi.com
Samedi 11 décembre 2021
17h - Conférences (à définir)
suivi par : "Santé mentale", performance, Hope Mocked
https://www.artmajeur.com/amal6mokded
Dimanche 12 décembre 2021
16h30 - "A l’ouest", film, Violaine Lefur, Projection et discussion ouverte
https://www.instagram.com/lefurviolaine/?hl=fr
17h30 - "The théâtre of mind", film, Loredana Denicola
https://www.loredanadenicola.com
Vendredi 17 décembre 2021
Finissage à partir de 18h
Performances :
18h30: performance libre: Nen poésie urbaine et slam + Valeria Stasi danse improvisation
https://www.youtube.com/channel/UCTL-7785Zx_xWb96_jmB__Q/featured
Le dossier de presse de l'exposition:
A brief introduction of the video - photography project "The theatre of the mind".
The Theatre of the Mind is an installation project of seven videos and photographs; each video varies from 25 to 50 minutes, for a total of 5 hours.
The project is an exploration into the facets of the mind. An invitation that, starting from a personal need of the artist, extends to the public, aiming to open a dialogue with the viewer/spectator.
It is a video-photographic project based on trust, on the exploration of oneself through the other as enrichment and discovery, on acceptance; because everything that irritates us in others says something about us.
The video and some photos will then remain on display in the internal space of the Nervegna for the whole week, until the following Thursday.
Prejudice does not only affect individuals or groups, but can imbue an entire culture and behaviours towards other cultures. Prejudice, in fact, subtly undermines human relationships, sometimes abruptly.
It is our prejudices and ideals that deprive us of the capacity and energy necessary to think, observe, investigate and then discover for ourselves what lies behind the confusion, unhappiness, terror and violence that exist in us, human beings. and in the world.
What are our thoughts? Are we free from fears, conditioning and prejudices?
The characters are:
Alan, the cross-dresser
Humaira, I choose my relgion, Islam
Stephanie, finally I am me, a woman
Madkillermiller, an unimportant person with a business card
Louis Gray Magus is my alter ego
Tacco Matto, I am my emotions
Graça and her imaginary dogs
Videos are in English language with Italian subtitles.
The Italian subtitles are edited by me and professors Francesco Bucci, Barbara Baldassarre, Francesco Tommasi and Rita Greco. '
The Theatre of the mind' is an invitation to a total and empathic immersion with the story of the subject. The public is invited to relate to the work with sincerity, courage and freedom.
Click on the link below to look at the trailer of 'The theatre of the mind"
The project is an exploration into the facets of the mind. An invitation that, starting from a personal need of the artist, extends to the public, aiming to open a dialogue with the viewer/spectator.
It is a video-photographic project based on trust, on the exploration of oneself through the other as enrichment and discovery, on acceptance; because everything that irritates us in others says something about us.
The video and some photos will then remain on display in the internal space of the Nervegna for the whole week, until the following Thursday.
Prejudice does not only affect individuals or groups, but can imbue an entire culture and behaviours towards other cultures. Prejudice, in fact, subtly undermines human relationships, sometimes abruptly.
It is our prejudices and ideals that deprive us of the capacity and energy necessary to think, observe, investigate and then discover for ourselves what lies behind the confusion, unhappiness, terror and violence that exist in us, human beings. and in the world.
What are our thoughts? Are we free from fears, conditioning and prejudices?
The characters are:
Alan, the cross-dresser
Humaira, I choose my relgion, Islam
Stephanie, finally I am me, a woman
Madkillermiller, an unimportant person with a business card
Louis Gray Magus is my alter ego
Tacco Matto, I am my emotions
Graça and her imaginary dogs
Videos are in English language with Italian subtitles.
The Italian subtitles are edited by me and professors Francesco Bucci, Barbara Baldassarre, Francesco Tommasi and Rita Greco. '
The Theatre of the mind' is an invitation to a total and empathic immersion with the story of the subject. The public is invited to relate to the work with sincerity, courage and freedom.
Click on the link below to look at the trailer of 'The theatre of the mind"
Press: Il quotidiano di Puglia and the video photography project of 'The theatre of the mind'
Nervegna opens its doors to a video-photographic project by the artist Loredana Denicola.
The theatre of the mind - this is the title of the work, will be presented to the public in the form of a review of video-art and photography, curated by Ilaria Caravaglio and Valeria Gatti.
Every Thursday, starting from 16 September until 28 October, a meeting will be held in the garden of the Cafeteria, in the presence of the artist and curators, in which one of the 7 videos that make up the project will be presented and screened.
As in a sort of exploratory journey into the facets of the human mind, we will then find ourselves confronting on the reflections that arise from each video, from each story, from each character.
The video and some photos will then remain on display in the internal space of the Cafeteria for the whole week, until the following Thursday.
The Theatre of the Mind is a video-photographic project based on trust, on the exploration of oneself through the other as enrichment and discovery, on acceptance because everything that irritates us in others says something about us.
Prejudice does not concern only individuals or groups, but can impregnate an entire culture and behavior towards other cultures.
In fact, prejudice subtly undermines human relationships, sometimes abruptly.
It is our prejudices and ideals that deprive us of the capacity and energy necessary to think, observe, investigate and then discover for ourselves what lies behind the confusion, unhappiness, terror and violence that exist in us, human beings. and in the world.
What are our thoughts? Are we free from fears, conditioning and prejudices?
The theatre of the mind - this is the title of the work, will be presented to the public in the form of a review of video-art and photography, curated by Ilaria Caravaglio and Valeria Gatti.
Every Thursday, starting from 16 September until 28 October, a meeting will be held in the garden of the Cafeteria, in the presence of the artist and curators, in which one of the 7 videos that make up the project will be presented and screened.
As in a sort of exploratory journey into the facets of the human mind, we will then find ourselves confronting on the reflections that arise from each video, from each story, from each character.
The video and some photos will then remain on display in the internal space of the Cafeteria for the whole week, until the following Thursday.
The Theatre of the Mind is a video-photographic project based on trust, on the exploration of oneself through the other as enrichment and discovery, on acceptance because everything that irritates us in others says something about us.
Prejudice does not concern only individuals or groups, but can impregnate an entire culture and behavior towards other cultures.
In fact, prejudice subtly undermines human relationships, sometimes abruptly.
It is our prejudices and ideals that deprive us of the capacity and energy necessary to think, observe, investigate and then discover for ourselves what lies behind the confusion, unhappiness, terror and violence that exist in us, human beings. and in the world.
What are our thoughts? Are we free from fears, conditioning and prejudices?
One of the advertising posters of 'The theatre of the mind'
The theatre of the mind, a video photography project by Loredana Denicola,
curated by Ilaria Caravaglio and Valeria Gatti
Every Thursday at 6.30pm.
from 16 September to 28 October
Program:
Thursday 16 September - Alan, the crossdresser
Thursday 23 September - Humaira, I choose my religion, Islam
Thursday September 30 -Madkillermiller, an unimportant person with a business card
Thursday 7 October - Stephanie, finally it's me, a woman
Thursday October 14 - Louis Gray Magus is my alter ego
Thursday 21 October - Tacco Matto, I am my emotions
Thursday 28 October - Graça, a 6 year old girl and her imaginary dogs
Free entrance
curated by Ilaria Caravaglio and Valeria Gatti
Every Thursday at 6.30pm.
from 16 September to 28 October
Program:
Thursday 16 September - Alan, the crossdresser
Thursday 23 September - Humaira, I choose my religion, Islam
Thursday September 30 -Madkillermiller, an unimportant person with a business card
Thursday 7 October - Stephanie, finally it's me, a woman
Thursday October 14 - Louis Gray Magus is my alter ego
Thursday 21 October - Tacco Matto, I am my emotions
Thursday 28 October - Graça, a 6 year old girl and her imaginary dogs
Free entrance
Collaboration with Freeng Cie at Le Fotomat, Paris
Première images de la collaboration de Action Hybride avec la compagnie de danse Freeing Cie, le 25 septembre dernier, à l'occasion de la sortie du #8 de la revue Freeing (our Bodies) "Cannibalisme et incorporation" Le Fotomat'.
Dessiner sur le mur - Je te vomis enfin! (Finally I vomit you!) par Loredana Denicola
Freeng Cie Artist
https://www.facebook.com/Freeing-Cie-1167826816668787/
Le Fotomat
Dessiner sur le mur - Je te vomis enfin! (Finally I vomit you!) par Loredana Denicola
Freeng Cie Artist
https://www.facebook.com/Freeing-Cie-1167826816668787/
Le Fotomat
Frontières Fractures Distances, Art exhibition curated by Terra Rossa Lab.
du 14 au 19 Septembre 2021 - Galerie du Genie de la Bastille - Paris.
Vernissage 17 septembre 2021 à 18h
Exposition collective, performances, projection films, workshop
La notion de frontière désigne une zone instable qui ne se limite pas à sa dimension spatiale.
Elle rappelle un « thème » social dont la préoccupation caractérise certaines pratiques artistiques contemporaines.
La frontière n’est pas seulement une barrière, mais c’est un espace perméable, un lieu d’écoulement, de passages, de traversées où toute volonté d’homogénéité durable est régulièrement mise en péril.
Le discontinu, le fluide, le bloc, le contrôle, le filtrage et la fermeture veulent souvent s’imposer. Réelles et imaginaires, immuables et fluctuantes, intimes et politiques, les frontières tracent des espaces entre identité et altérité.
Les frontières nous distinguent autant qu’elles nous connectent.
Cet équilibre est essentiel dans une société en pleine mutation, en constante confrontation avec ses contradictions, ses doutes et ses interrogations.
On peut donc se demander si l’individu a encore la possibilité d’avoir le contrôle sur un monde dont les frontières tendent à se dématérialiser sans toutefois disparaître définitivement.
Ces changements sociaux s’accompagnent de répercussions visibles qui, à l’intérieur de frontières de plus en plus floues et ténues entre vie politique et économique, entre sphères publique et privée, affectent l’individu par rapport à sa propre identité et au groupe auquel il appartient.
La notion de frontière est strictement liée au sentiment d’appartenance à une communauté et plus généralement à sa relation avec le monde environnant. La relation entre les notions de subjectivité et de frontières est significative. Dans la pratique, en fait, ce sont nos frontières les plus intimes qui nous permettent de nous projeter au-delà de nous-mêmes.
Le processus de reconstruction d’une nouvelle identité est déjà en cours et pour que cela se poursuive, il est essentiel d’établir une relation différente entre l’individu et la société globalisée.
Celle-ci se définit inéluctablement comme étant soumise à une économie qui tend à nier les libertés individuelles ainsi produire une déshumanisation, fait qui, en pratique, crée un profond fossé entre la solidarité et une demande économique de plus en plus impitoyable, pliée uniquement aux lois du marché. Dans une conception purement « jetable » de la réalité, le besoin vital de redéfinir sa propre identité donne une voix aux individus marginalisés, en
soutenant en même temps le dialogue comme moyen de transgresser les frontières.
En ce sens, nous pouvons donc penser la frontière non pas comme un simple obstacle, mais comme une voie médiane, non pas comme un lieu et un espace de transition, de médiation, mais comme une porte qui nous permet de saisir les vérités de l’existence.
Passons maintenant aux fractures.
Mot significativement poly-sémantique, selon le contexte auquel il se réfère. Pour la médecine, c’est “une perturbation de l’intégrité d’un os”.
En géologie, cela indique la terre qui se fend, s’effrite, bouge.
La ramenant dans un contexte plus strictement humaniste, la fracture est configurée comme distance et isolement, blessure et traumatisme.
Dans tous les cas, elle est induite par un événement extérieur qui mine l’équilibre d’un organisme.
L’événement externe peut être de nature accidentelle ou déterminé par des événements historiques et sociaux tels que la guerre, les grands mouvements migratoires ou par des facteurs géopolitiques qui influencent le sort de communautés entières.
La fracture, disait-on, est une blessure, un signe tangible qui affecte l’être humain et devient une cicatrice, elle s’insinue dans la mémoire des peuples et de l’individu et génère un traumatisme.
L’intérêt de Terra Rossa Lab vise, tout d’abord à documenter les traces de la fracture - blessure, à accueillir sa voix, sa fragilité, à caresser ses fissures. S’ensuit alors une opération de nature presque thérapeutique par laquelle donner forme à la plaie, sans la dissimuler, mais la transfigurer pour qu’elle guérisse, peut se transformer en témoignage, acte cathartique et pourquoi pas, enseignement.
La troisième et dernière thématique concerne les distances, sujet extrêmement sensible et problématique.
De manière de plus en plus évidente, nous observons une approche progressive et leur allongement, avec laquelle nous entendons créer un espace pour pouvoir expérimenter, dialoguer, nous interroger sur des principes et des valeurs communes. Internet a pratiquement éliminé toute distance entre les individus à travers le monde.
Mais en même temps, on assiste au phénomène inverse qui voit l’individualisme sourd comme la base des échanges entre l’individu et la société.
La distanciation est globale, touchant souvent à la fois le désengagement politique et social ainsi que le désengagement humain, relationnel, symbolique. Dans ce tableau d’ensemble, Terra Rossa Lab, plutôt que de se distancer, vise à les accepter, à les esquisser pour mieux les comprendre et, par conséquent, les valoriser et exprimer leurs intérêts et leur potentiel.
Par une réflexion attentive et sensible, Terra Rossa Lab se veut un espace propulseur capable d’activer un mouvement centripète et centrifuge par rapport aux centres distants.
Les moyens par lesquels concrétiser notre action ont été identifiés principalement dans l’expression artistique avec laquelle nous entendons créer un espace d’expérimentation, de dialogue, de remise en question sur des principes et des valeurs communs.
ARTISTES TERRA ROSSA LAB:
Sarab Collective
Loredana Denicola
Julie Hahn
Carolina Zaccaro
Hope Mokded
Francesca Sand
Valeria Stasi
Ilaria Venneri
ARTISTES INVITÉS TERRA ROSSA LAB
Les Soeurs Chevalme, Louise A Depaume, Raoul Hebreard,Louise Dumont, Fanny Gosse, Adèle Pécout, Mila Nijinsky, Jean Louis Hess, Olga Boldyreff, Maria Clark, Corinne De Battista , Sophie Menuet, Axelle Remeaud, Céline Tuloup ,Elizabette Zelaya
VIDEOS
Anouk Deville, Violaine Le Fur, Camille Pueyo, Ican Ramageli, Pascaline Richtarch-Castellani,Julia Maura
PERFORMANCE
Manon Di Chiappari, Hélène Fromen, Cédric Lerible, Mathilde Neri,Simona Maurone, Antonella Eye Porcelluzzi,Elisabette Zelaya, Sylvaine Louradour
Programme
- Mercredi 15 septembre à 18h30
Durée 2h
Performance-atelier de dessin avec Hélène Fromen
“Mon trouble dans le genre, comment je l’ai dessiné” par Hélène Fromen.
Son intention, dans sa pratique comme dans sa recherche, est de transformer l’atelier de dessin d’après modèle en un espace de résistance active et collective au cadre binaire normatif ; un lieu ouvert à l’auto-détermination et l’expression corporelle des modèles.
Avec la lecture performée “Mon trouble dans le genre - Comment je l’ai dessiné”, elle propose aux participant.es de la dessiner tout en l’écoutant, de l’observer alors qu'elle lit et pose. La forme même de cette présentation participe à troubler la binarité des rôles et comportements en plus de celle du genre.
La performance sera suivie d’un atelier de dessin expérimental avec un.e modèle.
Aucune expérience du dessin n’est requise.
- Jeudi 16 Septembre
18H30h Dialogues sur la Méditerranée (The last border):
Conférence dînatoire performative avec Terra Rossa Lab +Elisabette Zelaya.
Une installation :des images, des textes, des objects autour d'un diner
- Vernissage vendredi 17 Septembre à 18H
Performances:
. 19h Action Frontières, Hope Mokded et Aïcha Khenissi , 20 minutes
. 20h Labyrinthe, Manon Di Chiappari,25 minutes
- Samedi 18 septembre
Performances :
19h30 White Cinders, Julie Hahn et Christophe Jaccard, 40 minutés
. 20h30 Allegory of creation, Mathilde Neri et Simona Maurone, 25 minutes
. 22h-1h Antonella Eye Porcelluzzi présente son album "The Lords", réalisé avec Rutger van Driel; les textes sont tirés du travail poétique de Jim Morrison et ils font écho aux théories de Wilhelm Reich, et à l'installation sonore ORGASMUSLIEDER+ dj set, Antonella Eye Porcelluzzi et dj Wam, Le bizart
30 bis rue des boulets
75011 Paris
- Dimanche 19 septembre 14h-18H
Atelier théâtre : Le Corps social par Christophe Jaccard https://fb.me/e/1vL6ZYRDR
Projection films + forum ouvert de discussion 21-22H30 : À L’OUEST , Violaine Le Fur
Lahdha / Instant, Amandine Ferrando, Ican Ramageli
Exposition collective, performances, projection films, workshop
La notion de frontière désigne une zone instable qui ne se limite pas à sa dimension spatiale.
Elle rappelle un « thème » social dont la préoccupation caractérise certaines pratiques artistiques contemporaines.
La frontière n’est pas seulement une barrière, mais c’est un espace perméable, un lieu d’écoulement, de passages, de traversées où toute volonté d’homogénéité durable est régulièrement mise en péril.
Le discontinu, le fluide, le bloc, le contrôle, le filtrage et la fermeture veulent souvent s’imposer. Réelles et imaginaires, immuables et fluctuantes, intimes et politiques, les frontières tracent des espaces entre identité et altérité.
Les frontières nous distinguent autant qu’elles nous connectent.
Cet équilibre est essentiel dans une société en pleine mutation, en constante confrontation avec ses contradictions, ses doutes et ses interrogations.
On peut donc se demander si l’individu a encore la possibilité d’avoir le contrôle sur un monde dont les frontières tendent à se dématérialiser sans toutefois disparaître définitivement.
Ces changements sociaux s’accompagnent de répercussions visibles qui, à l’intérieur de frontières de plus en plus floues et ténues entre vie politique et économique, entre sphères publique et privée, affectent l’individu par rapport à sa propre identité et au groupe auquel il appartient.
La notion de frontière est strictement liée au sentiment d’appartenance à une communauté et plus généralement à sa relation avec le monde environnant. La relation entre les notions de subjectivité et de frontières est significative. Dans la pratique, en fait, ce sont nos frontières les plus intimes qui nous permettent de nous projeter au-delà de nous-mêmes.
Le processus de reconstruction d’une nouvelle identité est déjà en cours et pour que cela se poursuive, il est essentiel d’établir une relation différente entre l’individu et la société globalisée.
Celle-ci se définit inéluctablement comme étant soumise à une économie qui tend à nier les libertés individuelles ainsi produire une déshumanisation, fait qui, en pratique, crée un profond fossé entre la solidarité et une demande économique de plus en plus impitoyable, pliée uniquement aux lois du marché. Dans une conception purement « jetable » de la réalité, le besoin vital de redéfinir sa propre identité donne une voix aux individus marginalisés, en
soutenant en même temps le dialogue comme moyen de transgresser les frontières.
En ce sens, nous pouvons donc penser la frontière non pas comme un simple obstacle, mais comme une voie médiane, non pas comme un lieu et un espace de transition, de médiation, mais comme une porte qui nous permet de saisir les vérités de l’existence.
Passons maintenant aux fractures.
Mot significativement poly-sémantique, selon le contexte auquel il se réfère. Pour la médecine, c’est “une perturbation de l’intégrité d’un os”.
En géologie, cela indique la terre qui se fend, s’effrite, bouge.
La ramenant dans un contexte plus strictement humaniste, la fracture est configurée comme distance et isolement, blessure et traumatisme.
Dans tous les cas, elle est induite par un événement extérieur qui mine l’équilibre d’un organisme.
L’événement externe peut être de nature accidentelle ou déterminé par des événements historiques et sociaux tels que la guerre, les grands mouvements migratoires ou par des facteurs géopolitiques qui influencent le sort de communautés entières.
La fracture, disait-on, est une blessure, un signe tangible qui affecte l’être humain et devient une cicatrice, elle s’insinue dans la mémoire des peuples et de l’individu et génère un traumatisme.
L’intérêt de Terra Rossa Lab vise, tout d’abord à documenter les traces de la fracture - blessure, à accueillir sa voix, sa fragilité, à caresser ses fissures. S’ensuit alors une opération de nature presque thérapeutique par laquelle donner forme à la plaie, sans la dissimuler, mais la transfigurer pour qu’elle guérisse, peut se transformer en témoignage, acte cathartique et pourquoi pas, enseignement.
La troisième et dernière thématique concerne les distances, sujet extrêmement sensible et problématique.
De manière de plus en plus évidente, nous observons une approche progressive et leur allongement, avec laquelle nous entendons créer un espace pour pouvoir expérimenter, dialoguer, nous interroger sur des principes et des valeurs communes. Internet a pratiquement éliminé toute distance entre les individus à travers le monde.
Mais en même temps, on assiste au phénomène inverse qui voit l’individualisme sourd comme la base des échanges entre l’individu et la société.
La distanciation est globale, touchant souvent à la fois le désengagement politique et social ainsi que le désengagement humain, relationnel, symbolique. Dans ce tableau d’ensemble, Terra Rossa Lab, plutôt que de se distancer, vise à les accepter, à les esquisser pour mieux les comprendre et, par conséquent, les valoriser et exprimer leurs intérêts et leur potentiel.
Par une réflexion attentive et sensible, Terra Rossa Lab se veut un espace propulseur capable d’activer un mouvement centripète et centrifuge par rapport aux centres distants.
Les moyens par lesquels concrétiser notre action ont été identifiés principalement dans l’expression artistique avec laquelle nous entendons créer un espace d’expérimentation, de dialogue, de remise en question sur des principes et des valeurs communs.
ARTISTES TERRA ROSSA LAB:
Sarab Collective
Loredana Denicola
Julie Hahn
Carolina Zaccaro
Hope Mokded
Francesca Sand
Valeria Stasi
Ilaria Venneri
ARTISTES INVITÉS TERRA ROSSA LAB
Les Soeurs Chevalme, Louise A Depaume, Raoul Hebreard,Louise Dumont, Fanny Gosse, Adèle Pécout, Mila Nijinsky, Jean Louis Hess, Olga Boldyreff, Maria Clark, Corinne De Battista , Sophie Menuet, Axelle Remeaud, Céline Tuloup ,Elizabette Zelaya
VIDEOS
Anouk Deville, Violaine Le Fur, Camille Pueyo, Ican Ramageli, Pascaline Richtarch-Castellani,Julia Maura
PERFORMANCE
Manon Di Chiappari, Hélène Fromen, Cédric Lerible, Mathilde Neri,Simona Maurone, Antonella Eye Porcelluzzi,Elisabette Zelaya, Sylvaine Louradour
Programme
- Mercredi 15 septembre à 18h30
Durée 2h
Performance-atelier de dessin avec Hélène Fromen
“Mon trouble dans le genre, comment je l’ai dessiné” par Hélène Fromen.
Son intention, dans sa pratique comme dans sa recherche, est de transformer l’atelier de dessin d’après modèle en un espace de résistance active et collective au cadre binaire normatif ; un lieu ouvert à l’auto-détermination et l’expression corporelle des modèles.
Avec la lecture performée “Mon trouble dans le genre - Comment je l’ai dessiné”, elle propose aux participant.es de la dessiner tout en l’écoutant, de l’observer alors qu'elle lit et pose. La forme même de cette présentation participe à troubler la binarité des rôles et comportements en plus de celle du genre.
La performance sera suivie d’un atelier de dessin expérimental avec un.e modèle.
Aucune expérience du dessin n’est requise.
- Jeudi 16 Septembre
18H30h Dialogues sur la Méditerranée (The last border):
Conférence dînatoire performative avec Terra Rossa Lab +Elisabette Zelaya.
Une installation :des images, des textes, des objects autour d'un diner
- Vernissage vendredi 17 Septembre à 18H
Performances:
. 19h Action Frontières, Hope Mokded et Aïcha Khenissi , 20 minutes
. 20h Labyrinthe, Manon Di Chiappari,25 minutes
- Samedi 18 septembre
Performances :
19h30 White Cinders, Julie Hahn et Christophe Jaccard, 40 minutés
. 20h30 Allegory of creation, Mathilde Neri et Simona Maurone, 25 minutes
. 22h-1h Antonella Eye Porcelluzzi présente son album "The Lords", réalisé avec Rutger van Driel; les textes sont tirés du travail poétique de Jim Morrison et ils font écho aux théories de Wilhelm Reich, et à l'installation sonore ORGASMUSLIEDER+ dj set, Antonella Eye Porcelluzzi et dj Wam, Le bizart
30 bis rue des boulets
75011 Paris
- Dimanche 19 septembre 14h-18H
Atelier théâtre : Le Corps social par Christophe Jaccard https://fb.me/e/1vL6ZYRDR
Projection films + forum ouvert de discussion 21-22H30 : À L’OUEST , Violaine Le Fur
Lahdha / Instant, Amandine Ferrando, Ican Ramageli
Photography workshop: "Love yourself"
Participants: women who have been abused, curated by Loredana Denicola
"Love Yourself" is the title of the photography workshop curated by Loredana Denicola, which will be held from 7 September in Ginosa.
The workshop project is aimed only at women assisted by the "Sud Est Donne" anti-violence centre https://www.sudestdonne.it/
In Italy, 6 million women have suffered some form of physical or sexual violence. However, only 11% of these women report the incident, the others live in silence and fear together with their children.
They are women who often continue to suffer violence, perhaps from their partner, and who struggle to recognise their right to live a life free from male violence.
«Love Yourself » was born roughly in 2016 as a photographic and video project focused on women and men who have experienced a violent relationship, physical abuse or some form of psychological violence on their skin.
The project, conceived by the photographer Loredana Denicola, on her return to Italy after eleven years living in London, was proposed to various anti-violence centre in Puglia. Loredana's artistic research is focused on intimacy, on its transformative power, on the fragility which, when understood, can become a strength.
Photography, therefore, becomes an opportunity, a choice to tell about oneself, to expose the past, to represent the imagined and desired present. Photographing means "looking into the viewfinder", looking inside oneself, being able to choose, being able to be ..., being able to say, being able to tell about oneself in a renewed and different way.
The photos allow you to be the author, author, subject / object and spectator of your own personal reality, in order to make the figure of the inner witness blossom. "To no longer be victims, no longer slaves to events".
Loredana Denicola has been working in London since 2013 on various photographic projects involving people eager to raise truths on topics such as sexuality, gender equality, prejudice, love, physical and psychological abuse, negative thinking, illness .
The “South East Women” in Martina Franca is the first anti-violence centre to have welcomed this project and to promote it to its own women.
At the end of the workshop there will be a photographic exhibition.
The workshop project is aimed only at women assisted by the "Sud Est Donne" anti-violence centre https://www.sudestdonne.it/
In Italy, 6 million women have suffered some form of physical or sexual violence. However, only 11% of these women report the incident, the others live in silence and fear together with their children.
They are women who often continue to suffer violence, perhaps from their partner, and who struggle to recognise their right to live a life free from male violence.
«Love Yourself » was born roughly in 2016 as a photographic and video project focused on women and men who have experienced a violent relationship, physical abuse or some form of psychological violence on their skin.
The project, conceived by the photographer Loredana Denicola, on her return to Italy after eleven years living in London, was proposed to various anti-violence centre in Puglia. Loredana's artistic research is focused on intimacy, on its transformative power, on the fragility which, when understood, can become a strength.
Photography, therefore, becomes an opportunity, a choice to tell about oneself, to expose the past, to represent the imagined and desired present. Photographing means "looking into the viewfinder", looking inside oneself, being able to choose, being able to be ..., being able to say, being able to tell about oneself in a renewed and different way.
The photos allow you to be the author, author, subject / object and spectator of your own personal reality, in order to make the figure of the inner witness blossom. "To no longer be victims, no longer slaves to events".
Loredana Denicola has been working in London since 2013 on various photographic projects involving people eager to raise truths on topics such as sexuality, gender equality, prejudice, love, physical and psychological abuse, negative thinking, illness .
The “South East Women” in Martina Franca is the first anti-violence centre to have welcomed this project and to promote it to its own women.
At the end of the workshop there will be a photographic exhibition.
The Social "Fotografarsi dentro per poter esorcizzare la violenza sulle donne" sulla Gazzetta del Mezzogiorno, by Alessandro Salvatore.
The Social "Fotografarsi dentro per poter esorcizzare la violenza sulle donne" sulla Gazzetta del Mezzogiorno, by Alessandro Salvatore.
Basic Courses of Photography
Photography isn’t the only way to capture the world, but it certainly is one of the most effective.
Photographs have power.
I will teach you the basics of Photography.
Photography Basics Organization:
Chapter 1: Photography Basics Introduction
Chapter 2: What Is Photography?
Chapter 3: Shutter Speed
Chapter 4: Aperture
Chapter 5: ISO
Chapter 6: Composition
Chapter 7: Metering
Chapter 8: Camera Modes
Chapter 9: Focusing
Chapter 10: Flash
Chapter 11: Camera Settings
Chapter 12: How to Take Sharp Pictures
Chapter 13: Photography Tips for Beginners
Chapter 14: Photography Ideas
Beginning: 8th July 2021
Where: SalentOListico, via Granafei, Mesagne
The course will last four weeks.
The photography course is for beginners.
The course will help you understand the basics of light and photography.
We'll talk of basic camera operation, aperture / shutter / ISO and how these elements interact creatively with each other as well as composition (rules and non), white balance, light and shadows, different prospectives, lenses ... etc...
Also there will be some practical exercises.
The duration of the lesson is two hours per week.
All the rest is only you, with your will and tenacity in putting the concepts into practice.
Bring a camera
Send me a message in private please.
Photographs have power.
I will teach you the basics of Photography.
Photography Basics Organization:
Chapter 1: Photography Basics Introduction
Chapter 2: What Is Photography?
Chapter 3: Shutter Speed
Chapter 4: Aperture
Chapter 5: ISO
Chapter 6: Composition
Chapter 7: Metering
Chapter 8: Camera Modes
Chapter 9: Focusing
Chapter 10: Flash
Chapter 11: Camera Settings
Chapter 12: How to Take Sharp Pictures
Chapter 13: Photography Tips for Beginners
Chapter 14: Photography Ideas
Beginning: 8th July 2021
Where: SalentOListico, via Granafei, Mesagne
The course will last four weeks.
The photography course is for beginners.
The course will help you understand the basics of light and photography.
We'll talk of basic camera operation, aperture / shutter / ISO and how these elements interact creatively with each other as well as composition (rules and non), white balance, light and shadows, different prospectives, lenses ... etc...
Also there will be some practical exercises.
The duration of the lesson is two hours per week.
All the rest is only you, with your will and tenacity in putting the concepts into practice.
Bring a camera
Send me a message in private please.
HAPAX #1 "Fragile"
F R A G I L E Hybrid Action
Fanzine of photographs, printed on coated A5 paper, 40 pages.
Collection of texts, photos, drawings around the social and political body.
1er numéro: Fragile sortie le 6 Avril 2019 lors de l'exposition "Je vous salue Marie(s)"
H A P A X #01 F R A G I L E
Action Hybride
Fanzine photographique, imprimé sur papier couché format A5, 40 pages.
Recueil de textes , photos, dessins autour du corps social et politique.
Dumont Louise
Vanda Spengler
Francesca Sand
Elisabette Zelaya
Fur Aphrodite
Loredana Denicola
Louise A. Depaume
Maria Clark Arts
Shop on:
Fanzine of photographs, printed on coated A5 paper, 40 pages.
Collection of texts, photos, drawings around the social and political body.
1er numéro: Fragile sortie le 6 Avril 2019 lors de l'exposition "Je vous salue Marie(s)"
H A P A X #01 F R A G I L E
Action Hybride
Fanzine photographique, imprimé sur papier couché format A5, 40 pages.
Recueil de textes , photos, dessins autour du corps social et politique.
Dumont Louise
Vanda Spengler
Francesca Sand
Elisabette Zelaya
Fur Aphrodite
Loredana Denicola
Louise A. Depaume
Maria Clark Arts
Shop on:
HAPAX#2 "Métamorphoses"
Here the marvellous Hapaxzine with Action Hybride!
#2 "MÉTAMORPHOSES" - photography, drawing and texts (in French, English and Italian), A5 format, black and white colour, 44 pages, handmade (DIY Conception), JUIN 2020, price 5 euros.
To order send us an email on hapaxzine@gmail.com
Dumont Louise
Vanda Spengler
Francesca Sand
Elisabette Zelaya
Fur Aphrodite
Loredana Denicola
Louise A. Depaume
Maria Clark Arts
2ème numéro: Métamorphoses sortie en Aout 2020 lors de l’exposition "CARMINA"
H A P A X
#02 M E T A M O R P H O S E S x Action Hybride
Fanzine photographique, imprimé sur papier machine N&B format A5, 44 pages.
#2 "MÉTAMORPHOSES" - photography, drawing and texts (in French, English and Italian), A5 format, black and white colour, 44 pages, handmade (DIY Conception), JUIN 2020, price 5 euros.
To order send us an email on hapaxzine@gmail.com
Dumont Louise
Vanda Spengler
Francesca Sand
Elisabette Zelaya
Fur Aphrodite
Loredana Denicola
Louise A. Depaume
Maria Clark Arts
2ème numéro: Métamorphoses sortie en Aout 2020 lors de l’exposition "CARMINA"
H A P A X
#02 M E T A M O R P H O S E S x Action Hybride
Fanzine photographique, imprimé sur papier machine N&B format A5, 44 pages.
HAPAX #3 "Intramuros"
INTRAMUROS (layout and cover by Louise Dumont)
A5, 52 pages, color and black, two-way reading
price 10 euro
Dumont Louise
Vanda Spengler
Francesca Sand
Elisabette Zelaya
Loredana Denicola
Louise A. Depaume
Maria Clark Arts
Shop on:
A5, 52 pages, color and black, two-way reading
price 10 euro
Dumont Louise
Vanda Spengler
Francesca Sand
Elisabette Zelaya
Loredana Denicola
Louise A. Depaume
Maria Clark Arts
Shop on:
"La fotografia, la pratica e l'identità",
photography workshop curated by Loredana Denicola
The photography workshop - "la fotografia, la pratica e l'identità - with Loredana Denicola will be held on 22 and 23 February 2020 at the LAB Creation in Mesagne.
The workshop is the result of her long experience in London in portrait photography and Fine Art Photography.
It is mainly aimed at photography enthusiasts, even beginners; it includes theoretical phases, with photography practices and a focus on narrative portrait photographs.
Photography as a therapeutic tool for the subject and the photographer.
Imagination as therapy, art as healing, the highest step of knowledge of the Self, self-portrait as a practise to freely express one's emotions, one's fears.
The workshop will end with practical examples of therapeutic self-portrait in class with the participants.
Press:
NewsPam - Informiamo Brindisi e Provincia
QuiMesagne.it
MesagneSera
The workshop is the result of her long experience in London in portrait photography and Fine Art Photography.
It is mainly aimed at photography enthusiasts, even beginners; it includes theoretical phases, with photography practices and a focus on narrative portrait photographs.
Photography as a therapeutic tool for the subject and the photographer.
Imagination as therapy, art as healing, the highest step of knowledge of the Self, self-portrait as a practise to freely express one's emotions, one's fears.
The workshop will end with practical examples of therapeutic self-portrait in class with the participants.
Press:
NewsPam - Informiamo Brindisi e Provincia
QuiMesagne.it
MesagneSera
I am your mirror (2013/2014) photography portfolio
Here is my first portfolio of analog photographs - my first photography project called 'i am your mirror".
13 black and white photographs
FB Gelatin Silver Fine Art prints on Multigrade Ilford photographic paper.
The box has been made by professional artisans in London.
13 black and white photographs
FB Gelatin Silver Fine Art prints on Multigrade Ilford photographic paper.
The box has been made by professional artisans in London.
Flux Exhibition at "The old Truman Brewery", (2016), Brick lane, London
FLUX has established itself as the platform for contemporary artists to be discovered and to be part of an exceptional, inspirational art event.
The show represents an opportunity to gain access to a vast and diverse group of gifted artists, on the path to being the big names of tomorrow, showcasing international talent in a collaborative, inclusive show.
FLUX celebrates artists on the precipice of wider accolade and fame.
Art, sculpture and installations are exhibited alongside exciting musicians and performance artists.
Curator - Lisa Gray
The show represents an opportunity to gain access to a vast and diverse group of gifted artists, on the path to being the big names of tomorrow, showcasing international talent in a collaborative, inclusive show.
FLUX celebrates artists on the precipice of wider accolade and fame.
Art, sculpture and installations are exhibited alongside exciting musicians and performance artists.
Curator - Lisa Gray
Post cards at Flux Exhibition (2016), The Truman Brewery, Brick lane, London
Flux Exhibition, The Truman Brewery, Brick lane, London
FLUX has established itself as the platform for contemporary artists to be discovered and to be part of an exceptional, inspirational art event.
The show represents an opportunity to gain access to a vast and diverse group of gifted artists, on the path to being the big names of tomorrow, showcasing international talent in a collaborative, inclusive show.
FLUX celebrates artists on the precipice of wider accolade and fame.
Art, sculpture and installations are exhibited alongside exciting musicians and performance artists.
Curator - Lisa Gray
FLUX has established itself as the platform for contemporary artists to be discovered and to be part of an exceptional, inspirational art event.
The show represents an opportunity to gain access to a vast and diverse group of gifted artists, on the path to being the big names of tomorrow, showcasing international talent in a collaborative, inclusive show.
FLUX celebrates artists on the precipice of wider accolade and fame.
Art, sculpture and installations are exhibited alongside exciting musicians and performance artists.
Curator - Lisa Gray
James, the businessman sold by Saatchi Art Gallery.
19 August 2019
Today James, the Businessman from 'I am your mirror' photography project is collected by Saatchi courier and ready to go to Shanghai.
Thank you Giuseppe for the collecting and packaging the art piece and Valeria for delivery.
Thank you for your precious help. Will never forget.
And thank you Ming Zhu, the collector for appreciating my artwork ❤
Details:
Title: James, the Businessman
Year: 2014
Camera: Mamiya 645
Black & White Film ILFORD
FB Gelatine Fine Art Print
Size: 16"x 20"inches
Signed and numbered with
certificate of authenticity
Today James, the Businessman from 'I am your mirror' photography project is collected by Saatchi courier and ready to go to Shanghai.
Thank you Giuseppe for the collecting and packaging the art piece and Valeria for delivery.
Thank you for your precious help. Will never forget.
And thank you Ming Zhu, the collector for appreciating my artwork ❤
Details:
Title: James, the Businessman
Year: 2014
Camera: Mamiya 645
Black & White Film ILFORD
FB Gelatine Fine Art Print
Size: 16"x 20"inches
Signed and numbered with
certificate of authenticity
FB Gelatin Silver Fine Art print, Robert the Christian sold to a special collector.jpg
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